Programme

To round off a 24-hour immersion in ballroom culture, queer DJs from the ballroom extend the party. After the competition, it's time to let loose: everyone meets up at Club Bingo for even more extravagance.

Orchestrating an encounter-cum-fight between a woman and a statue pedestal, Phia Ménard continues to chip away at the foundations of our societies’ patriarchal violence, through the imaginative realm and a call to dream.

As avatars grow ever more realistic, and photographic filters smooth our features, the boundaries between real and virtual bodies are blurring. (LA)HORDE has chosen this twilight zone as its new field of critical exploration.

Combining virtual reality and physical bodies, No reality now styles itself as a witchcraft ritual. Spanning the gamut of sensations courtesy of digital, this one-of-a-kind creation endeavours to ward off death.

Holding up a mirror to the ancient myths that have fed the history of art, Adi Boutrous invokes, through body and movement, the ethical dilemmas that permeate them and sensitively offers them for sharing.

A choreographed concert performed by a trio, HURLULA is a wild ride through the scream, somewhere between yell and hoot. A liberating emotional overflow with the power to effect a bodily metamorphosis.

Staged in Bleu, scenographic artwork at Les SUBS

A cross-pollination between walking and the blues, EXIT ABOVE, after the tempest / d'après la tempête / naar de storm is a dual return to the choreographer’s roots in gesture and contemporary music. Thirteen performers take us on an escapade that reaches as far as pop.

In a spectacular setting, S 62° 58’, W 60° 39’, takes you on a walk that melds apocalyptic fiction and scenes of the show being created. This story of our era conceals a profound reflection on the creative act.

Combining virtual reality and physical bodies, No reality now styles itself as a witchcraft ritual. Spanning the gamut of sensations courtesy of digital, this one-of-a-kind creation endeavours to ward off death.

Nach continues to tell her story in the sequel to her danced lecture Nulle part est un endroit. For the choreographer, who for a long time felt hitched to krump, speaking is a necessity, and eloquence is never the end goal.