It's a dialogue between two artistic practices: Capucine Dole's graphic work, which asks "where immensities meet", and Maude Ovize's work, which explores different perceptions of the world as so many possible diffractions.
"Passages" becomes limits, borders, interstices, reflections, figuration, abstraction, reversal, expansion, evanescence, floating worlds. It's a question of linking practices, elements and supports. Résonnance serves as a pretext for experimenting with a polyform hanging system that will evolve throughout the exhibition.
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