manifesto of fragility – A World of Endless Promise
James Webb – A Series of Personal Questions Addressed to a Theriac Urn Formerly Used in the Hôtel-Dieu, 2022
2024
Sound installation, speaker, audio
Antoine Morand, Jacques Besson, Theriac Vase, 1633, pewter, copper, bronze,
Collection of the Musée des Hospices Civils de Lyon
Venue
-
Metropolitan area
Born 1975 in Kimberley, South Africa.
Lives and works in Cape Town, South Africa, and in Stockholm, Sweden.
Known for his site-specific interventions and sound installations, James Webb introduces objects into different contexts in order to create possible new forms of understanding and communication with the public. At URDLA, he questions a vase for theriac, a medicine that used to be made at the Hôtel-Dieu from minerals, snakes and opium, and was considered a “universal remedy”. He poses various questions to this museum piece, which Lyon residents in the 17th century viewed as a powerful symbol of health and protection. By questioning the object – in the context of a global pandemic – on the healing of body and mind and the creation of a community in the face of disaster, James Webb invites the public to look afresh at this artefact and ponder its many experiences.
Also on view at the Fagor Factories, the garden of the Musée des Beaux-Arts de Lyon, the Parc de la Tête d’Or and the macLYON.
Commission for the 16th edition of the Lyon Biennale
Artist: James Webb, Voice: Sylvaine Strike
Courtesy the artist, Galerie Imane Farès and blank project
With the kind collaboration of the Musée des Hospices Civils de Lyon
Artist(s)
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